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      Text and photographs are © by Ellen Spector Platt & Ellen Zachos, all rights reserved.


      Showing posts with label borrowed scenery. Show all posts
      Showing posts with label borrowed scenery. Show all posts

      Wednesday, November 18, 2009

      DON'T I GET A SAY?

      When I hung out of my office window clutching my Canon Rebel EOS, I could grab a shot of the climbing 'New Dawn' rose draping the balcony across the street. Granted 'New Dawn' blooms for about three weeks in June, then never again that year, but the sight was so lovely it inspired me to plant my own in my all container garden on our 18th floor. I intermingled it with
      a small bell-shaped
      Clematis integrifolia
      'Rooguchi' that used
      the rose canes for its
      personal trellis.(double
      click on the image to
      enlarge the Clematis)
      Then in spring of 2009
      I looked across 80th St.
      with great dismay. The
      owners of the terrace
      garden had removed
      the rose WITHOUT MY
      PERMISSION. It's my
      borrowed scenery, not
      just their garden. Don't
      I get a say? This spring
      their terrace had a few
      small trees and some
      splotches of crimson
      that looked like geran-
      iums. I DIDN'T VOTE
      FOR THAT. Isn't this a democracy? I propose that if I have to look at the garden daily and it's my only view, I should have a voice. Do you agree, or will this issue just go the way of term limits for Mayors in the city of New York?





      Sunday, July 12, 2009

      Excuse me, could I please borrow your water tower?


      In college I majored in 19th century comparative history and literature of England and France. (Practical, you say? Just wait.) It was then I first heard the phrase "borrowed scenery", a concept vaguely relevant to grand estate gardens as described by George Eliot, Jane Austen, Charles Dickens, etc. Turns out the idea of borrowed scenery is originally Japanese, but it's just as significant in a 21st century NYC garden as it was 1000 years ago in Kyoto, or 200 years ago in the English countryside.

      People usually think of borrowed scenery as pastoral and sweeping, incorporating a distant mountain, a classic ruin, or the Potomac River (below) into the view from your garden.


      In NYC, borrowed scenery takes on a whole new meaning.


      See, I have a thing for water towers. When I first moved to NYC (many MANY years ago) I used to go up to the roof of my building at night and lie there, looking at all the water towers. They are a New York City icon, yet most of us take them for granted.

      Now that I spend most of my days on rooftops, I have plenty of opportunity to admire the various shapes and sizes of surrounding water towers, and I find they sneak up on you. At first glance you don't see any, then you spot one, then another, until you realize there were 6 or 7 in your field of vision all along. I've found 12 in this one photo, can you? (Click on the image to enlarge.)


      It's not just the water towers themselves (gray, aged wood, simple, sturdy, functional, sculptural, tall & slim, squat & fat, adding their own special geometry to the NY skyline) but how they combine with the rooftop gardens that surround them. It's the same quality that fascinates me on The High Line: industrial and urban architecture juxtaposed with living, moving, growing plants.


      Of course a rooftop garden in NYC is mighty fine to begin with, but why not follow in the steps of Capability Brown & Tachibana Toshitsuna and borrow a little scenery to make it even better! Just as you might place a shrub or put up a fence to hide an ugly pipe or HVAC unit, so can you position a tree or erect a pergola to direct the gaze toward that wooden bastion of the NYC skyline: the water tower.

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